Another Potential Fabric for the Lady Grey

Although this is a home dec fabric, it's not stiff or heavy. I bought it with the intention of making it into a swing coat, but still haven't found the perfect pattern. Hard to believe, considering I have at least half a dozen swing coat patterns in my stash. I wonder if it would work for the Lady Gray.

I think it's time for a little Photoshop magic to help me visualize.

And While We're On The Subject Of Coats...

I'm planning to participate in the Lady Grey Coat Sew-Along sponsored by the lovely and talented Gertie.

According to the pattern, I'll need 4 and 1/3 yards for this project. I have a few large enough cuts of fabrics in my stash that could work in this style.

The first one I'm considered is the brown and black houndstooth pictured below. It's a clearance wall purchase from Fabricland, so I don't know the fiber content, though I strongly suspect that it's acrylic. All of the examples of the Lady Grey that I've seen are solid color, but I don't see why it couldn't be made in a patterned fabric. What do you think?



The solid fabric is also a possibility, but I had originally intended to use that for another vintage inspired coat, Vogue 1083.

Why, oh why, are all my coat fabrics in the brown family? I'm trying not to buy new fabrics until I use up some of my stash, but I love how the Lady Grey looks in a bright color. If I found the right fabric I might have to break down and add to my yardage count.

Speaking of Coats...

I noticed that Vogue is retiring pattern number 1476, the Issey Miyake wrap coat, shirt and pants. It was first issued in 2001. I'm glad it stayed in Vogue's catalog for so long. When I first saw it, I fell in love with it, but wasn't doing a lot of sewing, so I didn't rush right out to buy it. I finally picked it up during a ClubBMV sale in 2008.

Judging from how often I see it being resold on eBay and other pattern sites, I'm guessing that a lot of people bought the pattern and later decided not to sew it. It's understandable when you consider that the coat requires about 5 yards of fabric. That can be quite an investment, especially if you wanted to make it out of wool.

Also, like many Miyake patterns, the pattern pieces and construction methods are unconventional. Vogue's Miyake patterns often remind me of puzzles or architectural constructions. Here's the cutting diagram from the 1476 instruction sheet:

Pieces 13 and 14 are taped together before cutting. This becomes the front, sleeve front and lower back sections of the coat. As you can see, it takes up almost the full width of the 54" or wider fabric. When I made this, I laid it out on the floor and checked my grain over and over before putting scissors to fabric.

Once I started to sew, I found it wasn't all that difficult, though I did have to read the instructions several times before and during each step. I find that when I sew the unusual Miyake garments, it helps to let go of what I know about traditional garment construction steps and operate with beginner's mind.

I made mine from a double-sided tweedy twill of unknown fiber content (probably poly) that I got in the clearance section of Fabricland. Knowing my fabric wasn't that expensive helped me get past any fear of mistakes. I love the way the reverse side gives the effect of a contrast collar and lining.

Even though it's unlined, this coat is very warm. And because it's such an unusual style, I see it as timeless.

Being such a dramatic piece, I expect to get comments when I wear it, and I do. Sometimes, they are complimentary, and sometimes they are, well... just comments. Let me add that I currently live in a conservative city where women my age don't typically have purple streaks in their hair or wear traffic stopping coats.

Last winter, I wore the coat while walking downtown. A conservatively dressed, elderly woman tapped me on the arm and said, "That's an interesting coat. You must be a foreigner." I just smiled.